Category Archives: KTF

Round Stokes Croft

Stokes Croft long ago became a bit of a Dean Lane, pointless keeping on top of with a blog, because it all changes so fast. It’s slowed down a bit recently though, and it’s been a while, so time for a bit of a snapshot as of the last week.

These boards next to the Junction are still getting some good work on them, will be a shame to see them go once the development behind them (where Mary’s shop was) finishes. Would hazard to put a name on them, but after last time, anyone want to confirm?

boards next to junction

Above that, this piece will be passing some people by at the moment, but should look great once the scaffolding’s down. 3Dom and Voyder if memory serves.

3dom hidden long shot

Here’s a bit of a closer one.

3dom hidden close up

The Kai et al Limited Press piece looks pretty much done now. Nice big advert for them on a main road. Shame about the scaffolding still obscuring it, guess it’s a security thing?

kai limited press piece

Further up, these boards have needed redoing for a while, especially now a bit of boards been turned round or replace on them. Someone’s done a quick character on the gap recently though, shouldn’t think it will take long for them to get redone fully.

KTF board with quick character

Interesting in a way, Stokes Croft is doing really well as a result of all the work that’s being ut up around it, yet a lot of it depends on the place being run down and shops covered with boards. If the project carries on working and getting more people and businesses coming back to the area, then it will start destroying its own space for pieces and productions. It risks being a literal victim of its own success.

Incidentally, one other thing that’s gone up round the place recently are police/community safety signs warning people about CCTV, violence, and arrest amongst other things.

Photo: PRSC

Hardly cheery messages for an area that’s trying to improve its reputation as a nice place to visit right now, and according to PRSC they were put up without community consultation. Apparently a local councillor, Jon Rogers, is already on the case, but if you want to see them taken down too, it wouldn’t hurt to email him on jon.rogers AT bristol.gov.uk.

7 Comments

Filed under 3Dom, Bristol, Kaione, KTF, Voyder

RWA Show – The Finished Thing

The show’s preview night is tonight then, and it opens properly tomorrow (Saturday) so the photos can go up. Got to say, unless you absolutely can’t make it down to this, don’t rely on the photos for it, they’re never going to capture the whole thing properly.

Anyway, photos of the finished works in there, again in no particular order, courtesy of WordPress.

5 Comments

Filed under 3Dom, 45 RPM, Acerone, Andy Council, Bristol, Cato, Cheba, Cheo, China Mike, Cyclops, Dan, Dicy, Dora, Eco, Feek, Filthy Luker, Flx, Haka, Inkie, Jody, Kaione, KTF, Lokey, Magic, Milk, Motorboy, Mr Jago, Mudwig, Nick Walker, Paris, Ponk, Richt, Rowdy, Sepr, Seza, Sickboy, Silent Hobo, Soker, Sums, TCF, Voyder, What? Collective, Will Barras, Xenz, Yaka, Ziml

RWA Show – The Run Up

So, three weeks and a silly amount of photos later, here’s some shots that show some of how the whole RWA show came together. Not even going to attempt to put them in anything other than a gallery, but have put notes on them about what they are. WordPress is freestyling the order it puts them in too, but they’re all dated.

It was a blast watching it all happen, hope the photos are as fun to look at as they were to take.

Leave a comment

Filed under 3Dom, 45 RPM, Acerone, Andy Council, Bristol, Cheba, Cheo, China Mike, Dan, Dicy, Dora, Feek, Flx, Haka, Inkie, Jody, Kaione, KTF, Lokey, Magic, Milk, Motorboy, Mr Jago, Nick Walker, Paris, Richt, Rowdy, Sepr, Silent Hobo, Soker, Sums, TCF, Voyder, What? Collective, Will Barras, Xenz, Yaka, Ziml

New Stokes Croft Bits

Still lots going on down Cheltenham Road/Stokes Croft way of late. First up, this new KTF work where the Cyclops had been for a fair while. Done last weekend, so a week old now.

ktf-stokes-croft-long

Closer upper.

ktf-close-up

Just round the corner, these have appeared on the corner of Ashley Road. Haven’t seen any new Sickboy temples appear in Bristol for ages now, good to see them back.

sickboy-temples-at-end-of-ashley-road

‘Voting yes’…

sickboy-temple-left-jan-09

…and ‘voting no’.

sickboy-temple-right-jan-09

Leave a comment

Filed under Bristol, Epok, Haka, KTF, Mr Riks, Poer, Sepr, Sickboy

Children Of The Can Preview And Interview With Felix Braun

It’s been a fair while in the writing, and in a way has needed to be written for even longer, but in just a few weeks Felix ‘FLX’ Braun’s book, ‘Children of the Can – 25 Years of Bristol Graffiti’, will be published. Happily, this blog’s been given a sneak preview, and it really is awesome.

So, the basics. It’s 288 pages, hardback cover and a big thing too, something like 50cm across when opened out, so the photos (and there are around 1000 of them, nearly all full colour) are there in a quality you’re just not going to see anywhere else. More important in a way, with such a long history in the Bristol Scene, Felix has had access to some pretty choice photos from the personal collections of people like Banksy, Nick Walker and John Nation amongst many others, so the content ranges right back to the start of it all, and the vast majority has never been seen before.

Still though, this book’s not just a coffee table book like so many others, indeed that’s kind of the point behind it, as over many months Felix has spent time with over over 40 different Bristol graffiti artists, talking to them about everything from their work to the scene as it was then and is now. As a result, the book’s a proper and coherent history of the last 25 years of Bristol graffiti, where it came from, the stages it went through, right up to what it is today. Each interview hangs together as a coherent chapter, but together they’re woven together perfectly to create the overall narrative of this part of the city’s history.

It’s all too easy to say Bristol’s a great place for graffiti or street art, but reading the book it really hits you how genuinely great it is, how the Bristol graffiti is at the end of the day united by difference, how all the different artists have done so many different things over the years, followed different styles, yet all within the same area, often at the same time.

So, in a change from the previous few months, it seemed time to turn the tables and interview Felix himself about the book, it’s writing and the Bristol graffiti scene generally. Thinking he’d got the model pretty right in researching the book, what follows is the result of a chat in a pub over pints, mixed in with some exclusive snaps from the book itself…

Bristol Graffiti: So, let’s start at the start then, what it’s all about?

Felix Braun: Well, it’s a 25 year history really, written by an artist that’s still painting. I had wanted to write the book for a while, but it all started thanks to Cheba, who introduced me to his boss, Richard Jones from Tangent Books, when we were painting together at the Bristol launch of ‘Banksy’s Bristol – Home Sweet Home’ at the Apple (blogged here at the time). Tangent Books have helped me realise my original vision of it, (although i probably would have liked to have added an extra 32 pages), but they’ve stuck with me, stuck with it, and it’s grown. It was originally going to be much smaller, originally i had plans for 12 artists to be interviewed, but ended up interviewing 41.

BG: – It’s interesting it’s finally happened, as I’ve heard various people over time wondering who’s actually going to be the one to write a proper book on all of this.

FB: – Yeah, that’s the other important thing, I wanted all this to be documented, and that’s the other meaning of the book’s title, it’s for the kids of the artists to grow up and read it and have a record of what their dad or whoever did. It’s like 3D said when i interviewed him ‘How many people are lucky enough to have a book made about the best years of their lives?’ It’s a privilege, and this book in a way is like my little gift back to all the people that I grew up with and I painted with, and for those following on from them too.

Inkie outlining at the 1989 World Graffiti Championships in 1989 (pic by Scarce)

BG: – So how’s it been, writing a book? Enjoyable?

FB: – Yeah. At Times. It was really really hard work, but an amazing insight, there was a lot of stuff I didn’t know actually, because I had 10 years out myself. I went off to college, got into making music and so on, and didn’t start again until the time of Walls on Fire, in 1998.

BG: – Did you stop painting because of Operation Anderson and all that went with it then?

FB: – No, not really, I’d stopped illegal painting by then anyway. It was because I was into other things. The book was a chance to fill in the gaps in my own memory, and through it I’ve made so many friends, getting to know other writers and getting inside people’s heads. Like with TNP for example, it took me months and months and months to get them to speak to me, and it was done under very strict conditions, because people who are out there hitting trains have got so much more to lose than someone who’s moved up to London now and is out there doing prints and doing gallery shows. My status as a writer has allowed me unprecedented access into people’s lives, and it’s also added to my understanding of the mindset and what motivates it.

Also being older, and looking back and seeing more the socio-political context in that sense, that’s kinda allowed me to be in a position to make some informed comment on graffiti and what it means, why it’s important, why it needs to carry on happening, and why cities shouldn’t be clean. At the end of Rowdy’s chapter, he says ‘when you’ve got no tags, then you’ve got to worry, because you’re looking at some kind of Orwellian sort of city’. Graffiti’s a sign that a city’s healthy, and that it’s got its own mind.

That’s why people of a certain sort of mind start to notice it, the more colourful and artistic it gets, the more it wins people over, and therefore hopefully there are people who are going to read this book who know nothing about graffiti, and it will be their introduction to it. They might live in a city and  start to understand through this book why people do it.

BG: How was it, tracking down and interviewing all these different writers and artists?

FB: Some people took longer to track down than others, some people answered their own questions before I’d even asked them, but most of them were really good fun, and like a night out really. It was great hanging out with people I didn’t necessarily know that well before I started interviewing them, but I certainly got to know them better by the end. I got really wrecked with certain people, and was having to listen back to recordings of interviews over pub clamour, rewinding it over and over again the next day to transcribe quotes. For me, the biggest challenge was the transcribing, and then editing 12,500 words of interview into 2000 words of chapter. Being a two finger typist, transcribing all of it was a mission.

Some of the unseen Banksy photos in the book

BG: Is there stuff you’ve left out, deliberately or because you’ve had to?

FB: I’ve left out references to beef, to arguments, because I think that the infighting between graffiti artists is only interesting to graffiti artists, and probably then not even to half of them. I think what people have in common, and what’s provided a thread throughout the whole story of the scene, is much more interesting than people’s differences. I mean, those that know will know, it’s coded but it’s in there, there are certain photographs of certain people’s pieces over certain other people’s pieces that those around then will spot, but it’s not really relevant or interesting to most people.

Apart from that the book’s completely and utterly no holds barred. There’s lots of swearing, it’s not appropriate for children, there’s some fairly grizzly anecdotes. There’s drugs and violence and agony and ecstasy, and there are some people who’ve written their own pieces about very very difficult times in their lives, with the art more there as a background to it.

BG: – Is there anyone you missed out, anyone you wish you could have got hold of?

FB: Well, no, but Andy Council said that he didn’t really want a spread, and he’s done so much good stuff in the last year or two, and before that too, but there’s been so much good recent stuff, that I really wish that i’d been able to find another couple of extra pages for him. It would have been great to have given him more space, he’s a great guy, and a great artist, and I think he stems from the same root as the rest of us.

Apart from Andy, I’d have liked to have had sections just of tags, just of dubs and throw ups, just sign offs, dedications and the like. That was in the original plan, and it’s ended up more as chapters on artists, and I think that a lot of people have missed out as a result of that, people who aren’t necessarily hugely prolific, but have made an impact. But you can’t cover everyone, and I know that I’m going to get grief for omissions and I’m ready for it.

BG: So the book’s about the last 25 years, what do you think’s going to happen in the next 25 years?

FB: In the short term, when the bubble bursts, and people stop looking at graffiti or street art (or whatever you want to call it) for the wrong reasons – for money or as an investment – then there will be a reassessment of what ‘real’ graffiti has done to explore the role of type and the letter form as an icon in art. We might start getting real graffiti recognised as fine art rather than having to compromise, well not compromise, mutate. I think at the end of the day graffiti will carry on, it’s been going on for thousands of years. Visually, who’s to say? I think if I could predict what it would look like it would be quite boring. Infinite possibilities…

Chaos painting at Barton Hill Youth Club 1990 (pic by John Nation)

BG: Do you think the book itself might have an impact on the graffiti scene in the future?

FB:  Well, the book’s there to open up a treasure chest, and if it encourages the next generation to go out and paint, then great. If people say to me the book encourages illegal graffiti, then I’d say yes, it does encourage illegal graffiti, come back and talk to me when you’ve stopped war and violent crime, and then we’ll talk about how serious a crime grafiti is. Anyone who wants to come and talk about this, i’ll debate with them face to face on the subject, because I think it’s futile the way they police it.

BG: Do you think things have changed, that graffiti is more accepted now than it was before?

FB: Yeah, definitely, but at the same time there’s a double standard, a contradiction within the council, where certain people’s work will remain intact, because it attracts people to the city, in the same way as Massive Attack or Roni Size or Tricky have perpetuated people’s idea of Bristol and brought in students and money and so on. The council are aware of these things, but they don’t ever do anything to support it whilst it’s happening. On the continent there’s an understanding of graffiti as an artform that Bristol City Council doesn’t have. The city hasn’t got a graffiti problem, the council’s got a problem with graffiti. Go and look at places like Sao Paulo in Brazil and then come and talk about Bristol having a graffiti problem. There are bigger things to prioritise, bigger problems the city’s got right now.

BG: So the law on graffiti is out of date now?

FB: Yeah, it is. Because it’s a visual crime, graffiti is an easy target. If you go and wipe out all the graffiti, it’s a very easy way of saying you’re reducing crime, whilst if people are sitting in their homes taking drugs then it’s seen as less of a problem. It’s ridiculous, and there’s a real problem, a contradiction in it all. Because of the nature of the art, you can’t wipe out the illegal aspect and leave the legal aspect, because then it becomes sterile, and graffiti on canvasses isn’t graffiti, it’s graffiti-style art on a canvas. When it loses that energy, when it loses that street style vibe, then where does it go? So there’s always going to be that contradiction, and if it didn’t have something to rail against, then it wouldn’t be what it is.

BG: It evolves over time too doesn’t it, punk initially was one form of rebellion, but then other forms of music grew from that.

FB: Yeah totally, that’s something that 3D says in his piece, that it was this new kind of rebellion that was more fun, less po faced than punk. You had a whole load of subcultures around that time when it all started that were very serious and po faced. Then hip hop came along and was rebellious, but it was also a great laugh, it was about partying and having a good time and colour and dance and movement and sound. That’s why graffiti writers are basically big kids, because they like hanging out and painting pretty things on a wall, you know, hanging out in a gang with their friends that they call a crew.

‘It’s no great crime’ by 3D in 1983 (pic by Beezer)

BG:  I was talking to a graffiti writer a while back who was excited to go and see the Marcel Duchamp exhibition when it was in London, which isn’t necessarily the first thing you’d expect from someone who does graffiti. Do you think the wider art scene, fine art so on, has had an influence on the graffiti scene?

FB: Yeah, of course it has, because when graffiti started in Bristol, it was just teenage kids. Then as the art form grew up, you had people coming into it who grew up and went to art college and brought outside influences into it from other places. Especially the TCF, who brought a completely different dynamic to it all in Bristol, because they were coming from an art school background, and i think that’s great, it’s benefitted it no end artistically. Because if it’s self referencing all the time, it gets stale. I love the old stuff, but at the same time, I love the typographic stuff, or Xenz’s frescoes, or whatever. The best art has to do that to keep growing, otherwise it just ends up like a one eyed inbred child doesn’t it.

Mr Jago and Xenz in the book

BG: So, got a launch party planned for the book then?

FB: Yeah, definitely, there will be some large scale live painting going on in the centre of town,  then a launch party on the 4th of December. Negotiations about where it might be are still going on, but it’s looking like a location that’s pretty relevant to the subject of the book and the history of Bristol graffiti itself.

BG: So, live painting by 3D, Nick Walker and Banksy then?

FB: *laughs* Painting side by side? I doubt it. I have invited Banksy, but whether he’ll come or not I don’t know. He’ll probably turn up disguised as a woman or something…

‘Children of the Can : 25 Years of Bristol Graffiti’ is out at the end of November ’08 through Tangent Books. You can pre-order your copy here, and in the meantime, check out Felix’s blog about the book at http://childrenofthecan.blogspot.com

13 Comments

Filed under 3Dom, 45 RPM, Acer, Andy Council, Awkward, Banksy, Bristol, Cato, Cheba, Cheo, China Mike, Dan, Dicy, Dora, Eco, Epok, Feek, Flx, Ghostboy, Haka, Inkie, Jeffrow, KTF, Lokey, Magic, Mr Jago, Mr Riks, Mudwig, Nick Walker, Paris, Ponk, Richt, Rowdy, Seza, Sickboy, Soker, TCF, What? Collective, Will Barras, Xenz, Ziml

Bristol Festival Evening Painting Thursday

So, the light was fading this evening, and tons of people involved in the Bristol graf/street art scene were down there, weirdly someone had a stereo with some classical music playing out over the still evening, it was quite an atmosphere.

Richt and China Mike were down by now, working on a collaborative piece, still a fair way to go on this one, looking wicked so far though.

Molar’s piece, come on a long way from earlier in the day.

Likewise Epok, with Sepr’s OAP ninja turtle nearly done on the left there.

Space, a writer not much seen around, but going to bring some proper wildstyle to the show, not before time, the sketch for this looks awesome and is loads bigger, love it.

Jago and Cheo’s piece, not fully done yet, but damn they’ve worked fast. Love the marker pen…

Inkie, Flx and Lokey, all in a row. Inkie wasn’t even there earlier in the afternoon…

…how long has it been since a proper Inkie piece like that has been done in Bristol? You may wanna compare it with stuff like this.

Cheba’s there too, obviously, only a rough outline right now.

Back over by the waterfront, Oath was putting his part to a wall that looks like it’s all going to flow into one…

But this photo kinda sums this event up. Jeffrow’s been moved from the space in the photo in the previous post, cos this isn’t some formal live painting event. It’s massive, no-one knows how many people are going to end up painting here in the end, latest estimate is in the mid 40’s, and it could be more. It’s a properly huge painting event, and you absolutely have to get down there this weekend to go and see it.

Probably best get a ticket ASAP though, as they’ve already sold out in some shops, and if you’re on the blag, well, Big Jeff’s on the gate, and you wouldn’t want to try to blag him would you?

1 Comment

Filed under Bristol, Cheba, Cheo, China Mike, Epok, Flx, Haka, Inkie, Jeffrow, KTF, Lokey, Molar, Mr Jago, Richt, Sepr

Bristol Festival Early Painting Thursday

So, this Bristol Festival thing is going to get pretty huge by the look of it, tickets are already sold out down the ticket shop in Broadmead, and the painting is looking awesome.

Here’s where things were up to in the early afternoon today, an awesome sunny afternoon for a paint…

Guerrilla Galleries has got a proper exhibition going on at the festival, full of work from people painting there. Here’s the space getting set up.

Julian, the owner, ever a man of action, painting the boards to hang the works…

So, all the boards up along this side now, and, contrary to what was on here yesterday, the KTF hitting these ones up rather than the ones in the corner.

Sepr, Epok and Haka getting their paint on.

Sepr’s got some OAP Mutant Ninja Turtle thing going on here, pretty cool.

Epok working on his piece.

And the unmistakable outlines of Haka, love it.

Molar was getting started next along too, photo of this one, and all the others, further along later.

All the KTF, painting in one of the few sunny afternoons this year, awesome vibe.

Round the corner, Mr Jago and Cheo working together, in outline at this stage.

Over the other side, Lokey and Flx still working, probably some of the most hours on the whole site going into these awesome pieces once they’re done.

Jago and Cheo starting to fill stuff in.

Next to the 3Dom boards was meant to be Jeffrow, things change though…

Evening photos coming right up…

Leave a comment

Filed under 3Dom, Bristol, Cheo, Epok, Flx, Haka, Jeffrow, KTF, Lokey, Molar, Mr Jago